Sunday, 20 February 2011
David Hume: On Suicide
"David Hume strove to create a total naturalistic "science of man" that examined the psychological basis of human nature. In stark opposition to the rationalists who preceded him, most notably Descartes, he concluded that desire rather than reason governed human behavior, saying famously: "Reason is, and ought only to be the slave of the passions." (wiki)
At times, this book offers up paragraphs of glass, some that simply confuse and at times seem hard to penetrate, and some that at times, appear so clear and inspiring that they seem to reflect your own thoughts, in a way in which you'd find hard to articulate in any other way.
Hume's views of Tragedy and of the arts resonate with my feelings of the disparate nature of objects, and their relations with each other, especially within collage.
"Had you any intention to move a person...the best method of increasing it's effect would be artfully to delay informing him of it, at first to excite his curiosity and impatience, before you let him into the secret... difficulties increase passions of every kind." (p26)
"One of the most important thinkers ever to write in English, the Empiricist David Hume liberated philosophy from the superstitious constraints of religion; here, he argues that all are free to choose between life and death, considers the nature of personal taste and succinctly criticises common philosophies of the time."
Friday, 18 February 2011
Wednesday, 16 February 2011
Poem : The Potential of Escalator X
It's half past the last reflex
sat in a basement
with fingertips of white squares
built within the archives of angel heads
we crawl from our incongruent sunsets
and arrive at our feet.
We jolt
towards the first precautionary step
onto the stationary escalator
like the spontaneous awkwardness,
of waking from a falling dream.
These constructs spill over with the bland expressions of cotton.
We scratch at the surface with retail machinery,
and arrive at Desolation Peak
with broken minds and broken pens.
My natural abandon of ecstasy
is lost in the illumination of shitcom curses
and
your body,
curves with
metal drops draped over
the cold radiators of the soul.
They never seem to make a noise.
You are never realised,
your escalators lead nowhere.
You are an anagram of the retrospect
relying on vocabulary
of animals with default clipboard intellect,
salesmen gorging on ambiguous pictures,
whilst selling overpriced axioms
to the future.
We'll walk down the up escalators in an effort to live forever.
We'll seal it with the semantic gestures of an 'x'
because my love for the nowhere extends
to the genius of the intangible,
the incapacitating umbilical intellect,
the embracing suicidal paradigm
periodically producing algorithmic signs
from the refines of parallel musings
unseen
between disappearing staircases.